"Préludes / Book 1, L. 117: VI. Des pas sur la neige" by Claude Debussy, Arturo Benedetti Michelangeli was released on 1978. With this song being about 5 minutes long, at 4:58, "Préludes / Book 1, L. 117: VI. Des pas sur la neige" by Claude Debussy, Arturo Benedetti Michelangeli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 12 in Debussy: Préludes I by Claude Debussy, Arturo Benedetti Michelangeli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 1, L. 117: VI. Des pas sur la neige is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Préludes / Book 1, L. 117: VI. Des pas sur la neige by Claude Debussy, Arturo Benedetti Michelangeli is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | D♭ Minor | 2 | 12A | 133 BPM | ||
Mazurka No. 22 in G-Sharp Minor, Op. 33 No. 1: Mesto (I) | Frédéric Chopin, Arturo Benedetti Michelangeli | A♭ Minor | 0 | 1A | 99 BPM | ||
Prelude (Fantasy) in A Minor, BWV 922 | Johann Sebastian Bach, Alfred Brendel | D Minor | 0 | 7A | 69 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Études, Book 1: No. 2, Cordes à vide | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 0 | 12A | 135 BPM | ||
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Piano Concerto No. 1, BB 91, Sz. 83: II. Andante | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) | Darius Milhaud, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 99 BPM |
Section: 0.7029950618743896
End: 0.7067539691925049