Johann Sebastian Bach, Sviatoslav Richter made "The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude" available on 1998. With The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Sviatoslav Richter's "J.S. Bach: The Well-Tempered Clavier, Books 1 & 2, BWV 846-893" album is number 5 out of 96. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: I. Prelude by Johann Sebastian Bach, Sviatoslav Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
6 Moments musicaux, Op.16: No. 5 in D flat, Adagio sostenuto | Sergei Rachmaninoff, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 63 BPM | ||
St. John Passion, BWV 245, Pt. 2: No. 15, Christus, der uns selig macht | Johann Sebastian Bach, Mainz Bach Choir, Mainz Bach Orchestra, Hille Perl, Joachim Held, Sabine Bauer, Petra Morath-Pusinelli, Ralf Otto | B Minor | 0 | 10A | 168 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 3 in C-Sharp Major, BWV 848: II. Fugue | Johann Sebastian Bach, Sviatoslav Richter | D Minor | 1 | 7A | 114 BPM | ||
Suite en La: Sarabande | Jean-Philippe Rameau, Alexandre Tharaud | A Major | 0 | 11B | 93 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 10 in E Minor, BWV 855: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | F Major | 1 | 7B | 141 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 1 | 10B | 118 BPM |
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