Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach made "Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo" available on December 22, 2006. The duration of Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 25 in Bach Edition Vol. 13, Keyboard Works Vol. II Part: 3 by Arts Music Recording, Rotterdam. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo by Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D: 3. Allegro | Giovanni Battista Sammartini, Heinz Holliger, I Musici | D Major | 2 | 10B | 120 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 145 BPM | ||
Concerto No 2 in E minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 89 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Bassoon Concerto in C Minor: II. Vivace | Christoph Graupner, Paolo Tognon, Capella Savaria, Pál Németh | B Minor | 1 | 10A | 116 BPM | ||
Harpsichord Suite in D minor - HWV 436: Allegro | George Frideric Handel, Trevor Pinnock | D♭ Major | 6 | 3B | 77 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM |
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