On April 29, 1996, the song "Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro" was released by Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek. With Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pietro Locatelli's "Locatelli: Concerti Grossi, Op. 1, Nos. 1- 6" album is number 21 out of 27. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro by Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VII. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 107 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto a cinque No. 6, Op. 7: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B♭ Minor | 1 | 3A | 87 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto a cinque No. 11, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 4 | 11B | 107 BPM | ||
Recorder Sonata in F major, Op.1, No.11, HWV 369: 3. Alla siciliana | George Frideric Handel, Michala Petri, Academy of St. Martin in the Fields | F Major | 1 | 7B | 130 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): III. Allegro | Maurice André, Iona Brown, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 99 BPM |
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