Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay's 'Piano Concerto No. 1, BB 91, Sz. 83: II. Andante' came out on January 1, 1995. Since Piano Concerto No. 1, BB 91, Sz. 83: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Bartók: Piano Concertos Nos.1-3 by Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Piano Concerto No. 1, BB 91, Sz. 83: II. Andante's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Concerto No. 1, BB 91, Sz. 83: II. Andante by Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thema mit Variationen (Geistervariationen): Var. I | Robert Schumann, András Schiff | F Major | 0 | 7B | 63 BPM | ||
Piano Quintet in E flat, Op. 44: 2. In modo d'una marcia (Un poco largamente) | Robert Schumann, Menahem Pressler, Emerson String Quartet | F Minor | 0 | 4A | 94 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
Sonata for Violin and Piano No. 1 in F Minor, Op. 80: I. Andante assai | Sergei Prokofiev, Gidon Kremer, Martha Argerich | A♭ Major | 0 | 4B | 97 BPM | ||
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM | ||
String Quartet No. 1, Sz. 40: I. Lento | Béla Bartók, Heath Quartet | D♭ Major | 2 | 3B | 133 BPM | ||
Symphony In 3 Movements: 3. Con Moto | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | C Major | 1 | 8B | 80 BPM | ||
Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Scènes d'enfants: I. Cris dans la rue | Federico Mompou, Arcadi Volodos | C Major | 0 | 8B | 125 BPM |
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