Darius Milhaud, Katia Labèque, Marielle Labèque made "Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba)" available on January 1, 1991. The duration of Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Poulenc/Milhaud: Concerto in D minor for 2 Pianos/Scaramouche etc.". In this album, this song's track order is #12. In terms of popularity, Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) by Darius Milhaud, Katia Labèque, Marielle Labèque having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vagiorko mai / Don't You Love Me? | Traditional, Khatia Buniatishvili | C Minor | 1 | 5A | 89 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Duo Concertante, Op. 351 | Darius Milhaud, Michael Collins, Michael McHale | C Minor | 2 | 5A | 112 BPM | ||
Dessner: I Love Cleaning | Bryce Dessner, Katia Labèque, Andre de Ridder | F Major | 2 | 7B | 175 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Badinerie from Orchestral Suite No. 2 in B Minor, BWV 1067 (Arr. for Four Hands) | Johann Sebastian Bach, Khatia Buniatishvili, Gvantsa Buniatishvili | B Minor | 3 | 10A | 133 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM |
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