"Symphony No. 3, "Kaddish": IIIa. Scherzo" by Leonard Bernstein, Yvonne Kenny, Willard White, Royal Liverpool Philharmonic Choir, Liverpool Metropolitan Cathedral Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz was released on September 1, 2005. With this song being about 5 minutes long, at 4:40, "Symphony No. 3, "Kaddish": IIIa. Scherzo" by Leonard Bernstein, Yvonne Kenny, Willard White, Royal Liverpool Philharmonic Choir, Liverpool Metropolitan Cathedral Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 10 in Bernstein: Symphony No. 3, 'Kaddish' / Chichester Psalms by Leonard Bernstein, Gerard Schwarz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Symphony No. 3, "Kaddish": IIIa. Scherzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3, "Kaddish": IIIa. Scherzo by Leonard Bernstein, Yvonne Kenny, Willard White, Royal Liverpool Philharmonic Choir, Liverpool Metropolitan Cathedral Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Carmen Suite No. 2: Danse bohème. Andante quasi Allegretto (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D♭ Minor | 4 | 12A | 129 BPM | ||
Soirees musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A♭ Minor | 0 | 1A | 201 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 119 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Clarinet Concerto In A, K.622: 2. Adagio - Live | Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM |
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