Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu's 'Soirees musicales, Op. 9: IV. Bolero' came out on January 1, 1994. With Soirees musicales, Op. 9: IV. Bolero being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 15 in Britten, B.: Piano Concerto / Soirees Musicales / Matinees Musicales by Benjamin Britten, Ralf Gothoni, Okko Kamu. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. The popularity of Soirees musicales, Op. 9: IV. Bolero is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Soirees musicales, Op. 9: IV. Bolero by Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu is Prestissimo (even faster than presto), since this song has a tempo of 201 BPM. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | G Major | 1 | 9B | 89 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
The Bartered Bride, JB 1:100: Dance of the Comedians | Bedřich Smetana, Christoph Eschenbach, Wiener Philharmoniker | C Major | 2 | 8B | 75 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
The Young Person's Guide to the Orchestra: Variation VI: Violas (Meno mosso) | Benjamin Britten, Eugene Ormandy | F♯ Major | 1 | 2B | 150 BPM | ||
Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM |
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