Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois
Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra
Tchaikovsky: Swan Lake
9:58 1976
BPM
119
Key
B♭ Major
Camelot
6B

Embed

Share Link

Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois - Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra Information

Acousticness
96%
Danceability
28%
Energy
7%
Instrumentalness
89%
Liveness
6%
Loudness
67%
Speechiness
4%
Valence
11%
Popularity
Loudness
-19.66 dB

Summary

"Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. Since Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #4. In terms of popularity, Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois BPM

With Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto) by Sergei Prokofiev, André Previn, London Symphony OrchestraProkofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto)Sergei Prokofiev, André Previn, London Symphony OrchestraC Major18B82 BPM
Cello Concerto No.1, Op.107: 1. Allegretto by Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim ShostakovichCello Concerto No.1, Op.107: 1. AllegrettoDmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim ShostakovichG Minor26A126 BPM
Paquita: Variation 6: Andante by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris SpassovPaquita: Variation 6: AndanteLudwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris SpassovE♭ Major05B85 BPM
Symphony No. 2: III. Adagio by Sergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraSymphony No. 2: III. AdagioSergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraA Major011B70 BPM
Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto by Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael FrancisPiano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tantoSergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael FrancisA Minor28A101 BPM
La Bayadere, Act II: 35. La Bayadere, Act II: 35. "Entrance and Variation - Nikiya"Evergreen Symphony Orchestra, Kevin GalièB Minor010A129 BPM
Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraTchaikovsky: Swan Lake, Op. 20, Act 4: Entr'actePyotr Ilyich Tchaikovsky, André Previn, London Symphony OrchestraD♭ Major03B81 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
Violin Concerto No. 1 in D Major: II. Andante by Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek PhilharmonicViolin Concerto No. 1 in D Major: II. AndanteFlorence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek PhilharmonicB♭ Major16B79 BPM
Sylvia: Act I: Valse lente by Léo Delibes, Razumovsky Symphony Orchestra, Andrew MogreliaSylvia: Act I: Valse lenteLéo Delibes, Razumovsky Symphony Orchestra, Andrew MogreliaA♭ Major04B111 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5705592632293701

End: 0.5743622779846191