"Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. Since Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #4. In terms of popularity, Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto) | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 82 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Paquita: Variation 6: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 0 | 5B | 85 BPM | ||
Symphony No. 2: III. Adagio | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | A Major | 0 | 11B | 70 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | A Minor | 2 | 8A | 101 BPM | ||
La Bayadere, Act II: 35. "Entrance and Variation - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 129 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D♭ Major | 0 | 3B | 81 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic | B♭ Major | 1 | 6B | 79 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM |
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