"Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. With Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #14. Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Le Carnaval des Animaux, R.125: 10. Volières | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | F Major | 2 | 7B | 159 BPM | ||
Rapsodie espagnole, M. 54: III. Habanera | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | B Major | 0 | 1B | 119 BPM | ||
Capriccio Italiano, Op. 45 | London Symphony Orchestra, Philip Simms (Conductor) | A Major | 2 | 11B | 67 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 83 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 74 BPM | ||
Anakin's Betrayal | John Williams, London Symphony Orchestra | A Minor | 2 | 8A | 139 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM |
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