Sergei Prokofiev, André Previn, London Symphony Orchestra's 'Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto)' came out on January 10, 1995. With Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto) being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #12. Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle: No. 20 - Allegro feroce | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | G Major | 4 | 9B | 124 BPM | ||
Shootout in the Cell Bay/Dianoga - Medley | John Williams, London Symphony Orchestra | B♭ Major | 3 | 6B | 164 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": I. C.A.E. (The Composer's Wife). L'istesso tempo | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 98 BPM | ||
Enigma Variations: Variation I. C.A.E - L'istesso tempo | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 72 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 1, Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Peer Gynt, Op. 23, Act IV: Anitra's Dance | Edvard Grieg, London Symphony Orchestra, Oivin Fjeldstad | A Major | 0 | 11B | 158 BPM | ||
Mother Goose: I. Prélude | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 84 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM |
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