"Peer Gynt, Op. 23, Act IV: Anitra's Dance" by Edvard Grieg, London Symphony Orchestra, Oivin Fjeldstad was released on January 1, 1989. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edvard Grieg, Kirsten Flagstad, Oivin Fjeldstad, London Symphony Orchestra's "Grieg: Peer Gynt; Sigurd Jorsalfar" album is number 4 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Peer Gynt, Op. 23, Act IV: Anitra's Dance's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt, Op. 23, Act IV: Anitra's Dance by Edvard Grieg, London Symphony Orchestra, Oivin Fjeldstad to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 5. Più lento | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Lyric Pieces, Book 8, Op. 65: Wedding Day At Troldhaugen, Op. 65, No. 6 | BBC Scottish Symphony Orchestra, Edvard Grieg, Richard Hayman | D Major | 2 | 10B | 127 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer) | Edvard Grieg, Eldbjørg Hemsing, Arctic Philharmonic | E Major | 1 | 12B | 78 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM |
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