Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis's 'Oboe Concerto in G Major, TWV 51:2: I. Andante' came out on October 1, 2016. The duration of Oboe Concerto in G Major, TWV 51:2: I. Andante is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Oboe Concerto in G Major, TWV 51:2: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Telemann: Oboe Concertos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Oboe Concerto in G Major, TWV 51:2: I. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe Concerto in G Major, TWV 51:2: I. Andante by Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM | ||
Cinquième concert: II. La Cupis | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 136 BPM | ||
Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
Violin Sonata in D Major, Op. 5 No. 1: II. Allegro | Arcangelo Corelli, Trio Corelli | D♭ Major | 2 | 3B | 116 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM | ||
Concerto grosso No. 2 in B-Flat Major, Op. 3, HWV 313: II. Largo | George Frideric Handel, Akademie für Alte Musik Berlin, Georg Kallweit | F♯ Minor | 1 | 11A | 130 BPM | ||
Oboe Concerto in G Major, TWV 51:2: I. Andante | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E Minor | 1 | 9A | 73 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Juditha Triumphans, RV 644, Sinfonia: I. Allegro | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis | G Major | 1 | 9B | 115 BPM |
Section: 0.7186648845672607
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