On January 1, 2007, the song "Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro" was released by Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen. With Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 50 in Flute Music (French and Italian 18Th Century) - Monteclair, M.P. / Blavet, M. / Guignon, J.-P. / Boismortier, J.B. / Leclair, J.-M. by Barthold Kuijken. Based on our statistics, Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro by Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Oboe Sonata No. 1 in B Major: III. Adagio | William Babell, Paul Dombrecht, Wieland Kuijken, Robert Kohnen | F♯ Minor | 1 | 11A | 79 BPM | ||
Bassoon Concerto in C Minor: II. Vivace | Christoph Graupner, Paolo Tognon, Capella Savaria, Pál Németh | B Minor | 1 | 10A | 116 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: I. (Allegro) | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Das listige Bauernmädchen: No. 12, — | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM |
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