"Cinquième concert: II. La Cupis" by Jean-Philippe Rameau, Víkingur Ólafsson was released on March 27, 2020. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 28 in Debussy – Rameau by Víkingur Ólafsson, Claude Debussy, Jean-Philippe Rameau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Cinquième concert: II. La Cupis's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cinquième concert: II. La Cupis by Jean-Philippe Rameau, Víkingur Ólafsson is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo | Felix Mendelssohn, Philippe Cassard | B♭ Major | 0 | 6B | 89 BPM | ||
Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 1. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 4 | 10B | 158 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: II. Presto | Johann Christian Bach, Daniil Trifonov | A Major | 2 | 11B | 67 BPM | ||
Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
Waltzes Op. 39: No. 15 In A Flat Major | Víkingur Ólafsson | A♭ Major | 0 | 4B | 73 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
Fantasia in D Minor, K. 397 (Fragment) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | G Minor | 0 | 6A | 74 BPM | ||
Chaconne in A-Flat Minor | Marie Auguste Durand, Janos Balint, Nora Mercz | A♭ Minor | 0 | 1A | 77 BPM | ||
Fantasia & Fugue in A Minor, BWV 904: II. Fugue | Johann Sebastian Bach, Víkingur Ólafsson | A Minor | 3 | 8A | 129 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM |
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