On September 7, 2018, the song "Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 1. Prelude" was released by Johann Sebastian Bach, Víkingur Ólafsson. With Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 1. Prelude being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Víkingur Ólafsson's "Johann Sebastian Bach" album is number 6 out of 35. Based on our statistics, Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 1. Prelude's popularity is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Prelude & Fugue in D Major (Well-Tempered Clavier, Book I, No. 5), BWV 850: 1. Prelude by Johann Sebastian Bach, Víkingur Ólafsson to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Ich ruf zu dir Herr Jesu Christ, Chorale Prelude BWV 639 (Transcr. by Ferruccio Busoni) | Johann Sebastian Bach, Víkingur Ólafsson | F Minor | 0 | 4A | 68 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Víkingur Ólafsson | C Major | 2 | 8B | 107 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM |
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