Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach made "Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro)" available on December 22, 2006. The duration of Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 25 in Bach Edition Vol. 13, Keyboard Works Vol. II Part: 3 by Arts Music Recording, Rotterdam. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) by Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Concerto for 2 Flutes and Violone in A Minor, TWV 53:a1: III. Loure | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Jacques Zoon, Klaus Stoll, Rainer Kussmaul | G Minor | 4 | 6A | 120 BPM | ||
Suite a-moll TWV55:a2: Suite a-moll TWV55:a2: Ouverture | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | A♭ Minor | 2 | 1A | 97 BPM | ||
Concerto for 3 Violins in D Major, BWV 1064R: III. Allegro | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Linda Melsted, David Greenberg | D♭ Major | 3 | 3B | 86 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
Oboe Concerto in C: 2. Allegro | Domenico Cimarosa, Heinz Holliger, I Musici | C Major | 2 | 8B | 114 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM |
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