Overture (Suite) In D Major, TWV 55:D15: VII. Gigue - Cologne Chamber Orchestra, Georg Philipp Telemann Information

Acousticness: 95%
Danceability: 58%
Energy: 17%
Instrumentalness: 84%
Liveness: 9%
Loudness: 67%
Speechiness: 7%
Valence: 78%
Popularity: 7%
Loudness: -19.764 dB

Summary

Cologne Chamber Orchestra, Georg Philipp Telemann made "Overture (Suite) In D Major, TWV 55:D15: VII. Gigue" available on November 15, 1999. The duration of Overture (Suite) In D Major, TWV 55:D15: VII. Gigue is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Overture (Suite) In D Major, TWV 55:D15: VII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Telemann: Darmstadt Overtures (Suites)". In this album, this song's track order is #23. In terms of popularity, Overture (Suite) In D Major, TWV 55:D15: VII. Gigue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Overture (Suite) In D Major, TWV 55:D15: VII. Gigue BPM

With Overture (Suite) In D Major, TWV 55:D15: VII. Gigue by Cologne Chamber Orchestra, Georg Philipp Telemann having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Overture (Suite) In D Major, TWV 55:D15: VII. Gigue Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio	Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler	C Major	1	8B	97 BPM
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro	Charles Avison, The Avison Ensemble, Pavlo Beznosiuk	D♭ Minor	2	12A	87 BPM
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": I. Andante - Spirituoso	William Boyce, Aradia Ensemble, Kevin Mallon	A Major	2	11B	146 BPM
12 Flute Sonatas (1724): Flute Sonata No. 2 in E Minor: III. Largo	Francesco Mancini, Dan Laurin, London Baroque	A♭ Minor	0	1A	65 BPM
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo	Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend	F Major	0	7B	36 BPM
Sonata in B-flat Major, No. 2: III. Vivace	Arcangelo Corelli, Lucy van Dael, Bob van Asperen	A Major	2	11B	65 BPM
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro	Jean-Marie Leclair, Fabio Biondi, Europa Galante	B Major	2	1B	83 BPM
Dardanus Suite, RTC 35A, Act I: Rigaudons I & II	Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken	A♭ Minor	1	1A	73 BPM
Trio Sonata in G Minor, Op. 6 No. 7: I. Preludio. Adagio	Francesco Antonio Bonporti, London Baroque	E Major	1	12B	106 BPM
Abdelazer: Air	Henry Purcell, Academy of Ancient Music, Christopher Hogwood	F♯ Minor	1	11A	114 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7024786472320557

End: 0.7075872421264648