Charles Avison, The Avison Ensemble, Pavlo Beznosiuk's 'Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro' came out on April 1, 2013. The duration of Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro is about 3 minutes long, at 3:06. Based on our data, "Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 48 in Avison: Concerti grossi After Scarlatti by Charles Avison, Pavlo Beznosiuk. Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro by Charles Avison, The Avison Ensemble, Pavlo Beznosiuk is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Concerto 6 in A Major, Op. 7: I. Allegro ma non presto | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | F♯ Minor | 0 | 11A | 98 BPM | ||
Musicalische Ergötzung: Partie II in c-moll | Johann Pachelbel, Charles Medlam, London Baroque | B Minor | 2 | 10A | 108 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): I. Largo | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | B Minor | 0 | 10A | 100 BPM |
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