The Horatians and the Curiatians: No. 10, The Battle of the Archers
Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin
Kurt Schwaen: The Horatians and the Curiatians
0:45 August 8, 2013
BPM
82
Key
B♭ Major
Camelot
6B

Embed

Share Link

The Horatians and the Curiatians: No. 10, The Battle of the Archers - Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin Information

Acousticness
99%
Danceability
47%
Energy
2%
Instrumentalness
0%
Liveness
28%
Loudness
54%
Speechiness
4%
Valence
32%
Popularity
Loudness
-27.46 dB

Summary

Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's 'The Horatians and the Curiatians: No. 10, The Battle of the Archers' came out on August 8, 2013. With The Horatians and the Curiatians: No. 10, The Battle of the Archers being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 10 out of 31. On top of that, Germany appears to be the country where this track was created. The Horatians and the Curiatians: No. 10, The Battle of the Archers is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Horatians and the Curiatians: No. 10, The Battle of the Archers BPM

We consider the tempo marking of The Horatians and the Curiatians: No. 10, The Battle of the Archers by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

The Horatians and the Curiatians: No. 10, The Battle of the Archers Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Dido and Aeneas, Z. 626: Overture by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleDido and Aeneas, Z. 626: OvertureHenry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque EnsembleB Minor210A91 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): II. AragonaiseGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Minor07A117 BPM
Metropolis: II. Zwischenspiel: Der Tanz by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank StrobelMetropolis: II. Zwischenspiel: Der TanzGottfried Huppertz, Berlin Radio Symphony Orchestra, Frank StrobelF♯ Major42B114 BPM
Gourmet Valse Tartare by Klaus Badelt, Libera, The Lyndhurst Orchestra, Gavin GreenawayGourmet Valse TartareKlaus Badelt, Libera, The Lyndhurst Orchestra, Gavin GreenawayC Major28B73 BPM
Ethiopia's Shadow in America: II. His Resignation and Faith by Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John JeterEthiopia's Shadow in America: II. His Resignation and FaithFlorence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John JeterA Major011B64 BPM
The Bartered Bride, JB 1:100 (Excerpts): Dance of the Comedians by Bedřich Smetana, Berlin Radio Symphony Orchestra, Darrell AngThe Bartered Bride, JB 1:100 (Excerpts): Dance of the ComediansBedřich Smetana, Berlin Radio Symphony Orchestra, Darrell AngC Major28B145 BPM
Peer Gynt, Op. 23: Act III, 11, Solvejg's Song by Edvard Grieg, Esa-Pekka SalonenPeer Gynt, Op. 23: Act III, 11, Solvejg's SongEdvard Grieg, Esa-Pekka SalonenA Minor08A168 BPM
Der Karneval der Tiere, R. 125: IV. Der Schwan by Camille Saint-Saëns, Ferhan & Ferzan Önder, Raphaela Gromes, Berlin Radio Symphony Orchestra, Johannes ZurlDer Karneval der Tiere, R. 125: IV. Der SchwanCamille Saint-Saëns, Ferhan & Ferzan Önder, Raphaela Gromes, Berlin Radio Symphony Orchestra, Johannes ZurlG Major09B129 BPM
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark ErmlerSwan Lake, Op. 20: Op. 20: Act IV No. 29, Scène FinalePyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark ErmlerB Major41B113 BPM
Pskovityanka (The Maid of Pskov): Entr'acte to Act II: The Assembly by Nikolai Rimsky-Korsakov, Berlin Radio Symphony Orchestra, Michail JurowskiPskovityanka (The Maid of Pskov): Entr'acte to Act II: The AssemblyNikolai Rimsky-Korsakov, Berlin Radio Symphony Orchestra, Michail JurowskiB♭ Minor23A153 BPM
ISRC
DEB749901030
Label
L-M Records/RCA Records

Section: 1.103762149810791

End: 1.1080045700073242