"Ethiopia's Shadow in America: II. His Resignation and Faith" by Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter was released on November 19, 2021. The duration of Ethiopia's Shadow in America: II. His Resignation and Faith is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Ethiopia's Shadow in America: II. His Resignation and Faith's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Price: Symphony No. 3, The Mississippi River & Ethiopia's Shadow in America". In this album, this song's track order is #10. Ethiopia's Shadow in America: II. His Resignation and Faith is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ethiopia's Shadow in America: II. His Resignation and Faith by Florence Beatrice Price, ORF Vienna Radio Symphony Orchestra, John Jeter having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 83 BPM | ||
Florida Suite: By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | E♭ Major | 1 | 5B | 133 BPM | ||
Sospiri Op. 70 | Edward Elgar, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | F Major | 0 | 7B | 78 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Down a Country Lane | Aaron Copland, BBC Philharmonic, John Wilson | G Minor | 0 | 6A | 96 BPM | ||
Piano Concerto No. 1 For Piano, Trumpet & Strings, Op. 35: III. Moderato | Dmitri Shostakovich, Denis Matsuev, Gabor Tarkövi, Kammerorchester Wien - Berlin, Rainer Honeck | A Major | 0 | 11B | 126 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM |
Section: 0.6539750099182129
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