Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari made "Petrushka: Danse Russe" available on August 3, 1990. The duration of Petrushka: Danse Russe is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Petrushka: Danse Russe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Stravinsky: Firebird (The) / Petrushka / Suites Nos. 1 and 2". In this album, this song's track order is #9. Based on our statistics, Petrushka: Danse Russe's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Petrushka: Danse Russe by Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Game of Abduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 96 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Sabine Meyer, Staatskapelle Dresden, Hans Vonk | A Major | 1 | 11B | 131 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
The Firebird Suite, K010, (1945 Version): IX. The Princesses’ Khorovod | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | B Major | 0 | 1B | 78 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 74 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM |
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