"Metropolis: II. Zwischenspiel: Der Tanz" by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel was released on June 7, 2011. The duration of Metropolis: II. Zwischenspiel: Der Tanz is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Metropolis: II. Zwischenspiel: Der Tanz's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 22 out of 32. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Metropolis: II. Zwischenspiel: Der Tanz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Metropolis: II. Zwischenspiel: Der Tanz by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Metropolis: I. Auftakt: Buro Fredersen | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | D♭ Major | 1 | 3B | 92 BPM | ||
Metropolis: II. Zwischenspiel: Freder und Rotwang | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 4 | 4B | 120 BPM | ||
Sadko: Introduction | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 81 BPM | ||
Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 2 | 9B | 89 BPM | ||
Metropolis: I. Auftakt: Der Schmale - Autofahrt | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Major | 0 | 2B | 78 BPM | ||
The Flying Dutchman: Act I Scene 2: Aria: Die Frist ist um (Hollander) | Richard Wagner, Matti Salminen, Ricarda Merbeth, Robert Dean Smith, Silvia Hablowetz, Steve Davislim, Albert Dohmen, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Marek Janowski | A Major | 3 | 11B | 129 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 4 | 4B | 79 BPM | ||
Die Entführung Aus Dem Serail (The Abduction From The Seraglio, K. 384) Chorus Of The Janissaries (Arr.) / Ich Möchte Wohl (Ein Deutsches Kriegslied, K. 539) (Arr.) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 5 | 8B | 148 BPM | ||
Deutsche Messe, D. 872: Zum Gloria: Ehre, Ehre sei Gott in der Hohe | Franz Schubert, Celina Lindsley, Gabriele Schreckenbach, Werner Hollweg, Walton Grönroos, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Marcus Creed | E♭ Major | 0 | 5B | 68 BPM |
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