"Metropolis: I. Auftakt: Der Schmale - Autofahrt" by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel was released on June 7, 2011. The duration of Metropolis: I. Auftakt: Der Schmale - Autofahrt is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Metropolis: I. Auftakt: Der Schmale - Autofahrt's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 8 out of 32. On top of that, Germany appears to be the country where this track was created. Metropolis: I. Auftakt: Der Schmale - Autofahrt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Metropolis: I. Auftakt: Der Schmale - Autofahrt by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kehaar's Theme | Angela Morley | A♭ Major | 3 | 4B | 117 BPM | ||
Seven Samurai | Fumio Hayasaka | C Major | 2 | 8B | 144 BPM | ||
Fantasy On a Theme of Thomas Tallis | New Zealand Symphony Orchestra | F Major | 2 | 7B | 82 BPM | ||
Das Rheingold / Vierte Szene: Entry Of The Gods Into Valhalla | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 1 | 3B | 86 BPM | ||
Blue Dark Waltz | Luis Bacalov | C Major | 0 | 8B | 94 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
For Whom The Bell Tolls | Cho Young-Wuk | G Minor | 2 | 6A | 121 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Roscuro's Apology | William Ross | E Minor | 1 | 9A | 79 BPM | ||
Scarlett In the Mist / Rhett Leaves | Max Steiner | F♯ Major | 3 | 2B | 84 BPM |
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