- BPM
- 120
- Key
- A♭ Major
- Camelot
- 4B
Metropolis: II. Zwischenspiel: Freder und Rotwang - Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel Information
- Acousticness
- 82%
- Danceability
- 45%
- Energy
- 43%
- Instrumentalness
- 76%
- Liveness
- 20%
- Loudness
- 80%
- Speechiness
- 4%
- Valence
- 40%
- Popularity
- 4%
- Loudness
- -12.235 dB
Summary
Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel made "Metropolis: II. Zwischenspiel: Freder und Rotwang" available on June 7, 2011. With Metropolis: II. Zwischenspiel: Freder und Rotwang being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gottfried Huppertz, Frank Strobel's "Metropolis" album is number 18 out of 32. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Metropolis: II. Zwischenspiel: Freder und Rotwang's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Metropolis: II. Zwischenspiel: Freder und Rotwang BPM
We consider the tempo marking of Metropolis: II. Zwischenspiel: Freder und Rotwang by Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Metropolis: II. Zwischenspiel: Freder und Rotwang Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Zerline, S. 42, Airs de ballet (Excerpts): Le carnaval de Palerme | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 3 | 7B | 112 BPM | |
 | Zavod (The Foundry), Op. 19 | Alexander Mosolov, Berlin Radio Symphony Orchestra, Johannes Kalitzke | D♭ Major | 6 | 3B | 130 BPM | |
 | Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | |
 | Ragtime - Game (From "Der Liebling des Publikums") | Rundfunk Sinfonieorchester Berlin, Frank Strobel | G Minor | 0 | 6A | 63 BPM | |
 | La Bayadère / Act 1: No.8 Moderato con moto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | F Minor | 0 | 4A | 91 BPM | |
 | Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: II. Dresden in Ruins | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F Major | 0 | 7B | 146 BPM | |
 | Variations and Fugue on a Theme of Mozart, Op. 132: Variation 6 - Sostenuto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | |
 | Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | |
 | Girls Love Liars | Hollers Gang | E Major | 1 | 12B | 50 BPM | |
 | Dvorak Symphony No 8 Sht | Belize Ensemble | G Major | 0 | 9B | 61 BPM |
- ISRC
- DEB261100288
- Label
- L-M Records/RCA Records
Section: 0.6189794540405273
End: 0.6249146461486816