"Grand Canyon Suite: 2. The Painted Desert" by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti was released on January 1, 1983. With this song being about 5 minutes long, at 5:25, "Grand Canyon Suite: 2. The Painted Desert" by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti's "Grofé: Grand Canyon Suite/Gershwin: Porgy & Bess" album is number 3 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Grand Canyon Suite: 2. The Painted Desert's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grand Canyon Suite: 2. The Painted Desert by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Painted Desert | Ferde Grofé, Hamburg Symphony Orchestra, Hans-Jurgen Walther | E♭ Major | 4 | 5B | 89 BPM | ||
La Mer, L. 109: III. Dialogue du vent et de la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 1 | 3B | 86 BPM | ||
The Firebird: 8. Sudden appearance of Ivan Tsarevich | Igor Stravinsky, Detroit Symphony Orchestra, Antal Doráti | B Major | 1 | 1B | 83 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic": II. Alla siciliana - Allegro vivace | Amy Beach, Neeme Järvi, Detroit Symphony Orchestra | F Major | 0 | 7B | 122 BPM | ||
Pini di Roma (The Pines of Rome): II. Pini presso una catacomba | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 109 BPM | ||
Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Detroit Symphony Orchestra, Leonard Slatkin | F♯ Minor | 0 | 11A | 120 BPM | ||
Swan Lake, Op. 20, TH 12, Act II: No. 13b, Danse des cygnes: Odette Solo. Moderato assai | Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti | B♭ Major | 0 | 6B | 60 BPM |
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