"Rappresentatione di anima, et di corpo: Chi gioia vuol (Live)" by Emilio de' Cavalieri, Antonio Abete, Claudio Cavina, Guiseppe Maletto, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini was released on January 13, 1994. The duration of Rappresentatione di anima, et di corpo: Chi gioia vuol (Live) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Rappresentatione di anima, et di corpo: Chi gioia vuol (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 47 in Cavalieri: Rappresentatione di anima, et di corpo (Live) by Emilio de' Cavalieri, Antonio Abete, Claudio Cavina, Roberto Mattei, Berta Rossetti, Marco Longhini. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Rappresentatione di anima, et di corpo: Chi gioia vuol (Live)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di anima, et di corpo: Chi gioia vuol (Live) by Emilio de' Cavalieri, Antonio Abete, Claudio Cavina, Guiseppe Maletto, Le Istitutioni Harmoniche, Ensemble di Viole dell'Accademia Strumentale Italiana, Marco Longhini is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Lamentationes Jeremiae Prophetae, Prima die: Responso tertia. Seniores populi | Emilio de' Cavalieri, Profeti Della Quinta | F♯ Major | 1 | 2B | 109 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Lamentationes Jeremiae Prophetae, Prima die: Responso primo. Eram quasi | Emilio de' Cavalieri, Profeti Della Quinta | E Major | 1 | 12B | 143 BPM | ||
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM | ||
Capriccio (Sopra la bassa fiamenga) | Costanzo Porta, Flanders Recorder Quartet, Viola da Gamba Consort, Guy Penson | E♭ Minor | 0 | 2A | 72 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM |
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