Tastar de corde
Joan Ambrosio Dalza, Shirley Rumsey
Music of the Italian Renaissance
1:28 November 7, 1994
BPM
82
Key
C Minor
Camelot
5A

Embed

Share Link

Tastar de corde - Joan Ambrosio Dalza, Shirley Rumsey Information

Acousticness
99%
Danceability
38%
Energy
1%
Instrumentalness
78%
Liveness
11%
Loudness
40%
Speechiness
5%
Valence
25%
Popularity
Loudness
-35.72 dB

Summary

Joan Ambrosio Dalza, Shirley Rumsey's 'Tastar de corde' came out on November 7, 1994. With Tastar de corde being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Shirley Rumsey's "Music of the Italian Renaissance" album is number 21 out of 25. Tastar de corde is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tastar de corde BPM

We consider the tempo marking of Tastar de corde by Joan Ambrosio Dalza, Shirley Rumsey to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Tastar de corde Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Delitiae testudinis Suite No. 13 in E-Flat Major: IV. Sarabanda by Esaias Reusner, Paul BeierDelitiae testudinis Suite No. 13 in E-Flat Major: IV. SarabandaEsaias Reusner, Paul BeierD Major010B94 BPM
Ayres for the Violin (arr. for guitar): Aria I by Nicola Matteis, Pierre PitzlAyres for the Violin (arr. for guitar): Aria INicola Matteis, Pierre PitzlB Minor210A86 BPM
Maricapalos by Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-CampaMaricapalosGaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-CampaA Minor18A84 BPM
Im Maien by PiffaroIm MaienPiffaroE Minor49A119 BPM
Pass'emezzo antico: Recercada primera by Diego Ortiz, Mika Suihkonen, Ballo della BattaliaPass'emezzo antico: Recercada primeraDiego Ortiz, Mika Suihkonen, Ballo della BattaliaA♭ Minor21A76 BPM
Romanesca o Guardame las Vacas by Alonso Mudarra, Hopkinson SmithRomanesca o Guardame las VacasAlonso Mudarra, Hopkinson SmithE Minor19A113 BPM
Tousjours by Ensemble Project Ars NovaTousjoursEnsemble Project Ars NovaG Major09B74 BPM
Sarabanda per la B by Francesco Corbetta, Rolf LislevandSarabanda per la BFrancesco Corbetta, Rolf LislevandB Major11B140 BPM
Suite in E Minor: I. Prelude by Robert de Visée, Yasunori ImamuraSuite in E Minor: I. PreludeRobert de Visée, Yasunori ImamuraE♭ Minor12A179 BPM
The Dancing Master: Hyde Park by John Playford, The Broadside Band, Jeremy BarlowThe Dancing Master: Hyde ParkJohn Playford, The Broadside Band, Jeremy BarlowD Major110B114 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.49031686782836914

End: 0.49428582191467285