Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'Mass in B Minor, BWV 232: Confiteor unum baptisma (Chorus)' came out on November 6, 2015. The duration of Mass in B Minor, BWV 232: Confiteor unum baptisma (Chorus) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Mass in B Minor, BWV 232: Confiteor unum baptisma (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "J.S. Bach: Mass in B Minor, BWV 232" album is number 7 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mass in B Minor, BWV 232: Confiteor unum baptisma (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in B Minor, BWV 232: Confiteor unum baptisma (Chorus) by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: Tu es sacerdos in aeternum | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 5 | 2B | 82 BPM | ||
Der Herr ist König, TWV 8:6: II. No. 5, Chorus: Die Töchter Zion sind fröhlich | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Bach, JS: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: No. 2, Arioso und Choral. "So du willst, Herr, Sünde zurechen" | Johann Sebastian Bach, Barbara Schlick/Gérard Lesne/Howard Crook/Peter Kooy/Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent/Philippe Herreweghe, Collegium Vocale Gent, Peter Kooij, Philippe Herreweghe, Orchestra of Collegium Vocale Gent | G Minor | 1 | 6A | 66 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 102 BPM | ||
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away" | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, The Monteverdi Choir, Monteverdi Orchestra | D Major | 1 | 10B | 68 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 2, Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte" | Johann Sebastian Bach, Ernst Haefliger, Kieth Engen, Münchener Bach-Orchester, Karl Richter | G Major | 1 | 9B | 112 BPM | ||
Nun ist das Heil und die Kraft, BWV 50 | Johann Sebastian Bach, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 135 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: V. Juravit Dominus | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | B Major | 3 | 1B | 108 BPM | ||
Gloria in Excelsis Deo: Laudamus te...gratius agimus | George Frideric Handel, Gillian Keith, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 78 BPM |
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