"St. Matthew Passion, BWV 244, Pt. 1: No. 2, Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte"" by Johann Sebastian Bach, Ernst Haefliger, Kieth Engen, Münchener Bach-Orchester, Karl Richter was released on January 1, 1959. With St. Matthew Passion, BWV 244, Pt. 1: No. 2, Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte" being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 79 in Bach: Matthäus-Passion by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter. In terms of popularity, St. Matthew Passion, BWV 244, Pt. 1: No. 2, Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. Matthew Passion, BWV 244, Pt. 1: No. 2, Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte" by Johann Sebastian Bach, Ernst Haefliger, Kieth Engen, Münchener Bach-Orchester, Karl Richter is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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"Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank | Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh | D♭ Major | 3 | 3B | 175 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Was Gott tut (Chorus) | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | A Major | 3 | 11B | 88 BPM | ||
Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM | ||
II. Wir Danken Dir, Gott, Wir Danken Dir BWV 29, 1. Sinfonia | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Johann Sebastian Bach, Eduard Wesley, Will Wroth, Sytse Buwalda, Marjon Strijk, Vaughan Schlepp, Peter Frankenberg, Hendrik Jan Houtsma, Susan Williams, Frank Aarnink, Geerten Rooze, Pieter Jan Leusink | D♭ Major | 0 | 3B | 119 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (1) Coro: Wachet Auf, Ruft Uns Die Stimme | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Johann Sebastian Bach, Sytse Buwalda, Nico Van Der Meel, Pieter Jan Leusink | D Major | 1 | 10B | 86 BPM | ||
III. Es Erhub Sich Ein Streit BWV 19, 7. Choral (Coro): Laß Dein Engel Mit Mir Fahren | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Susan Williams, Frank Aarnink, Johann Sebastian Bach, Bas Ramselaar, Ruth Holton, Sytse Buwalda, Hendrik Jan Houtsma, Frank Anepool, Pieter Jan Leusink | B Major | 2 | 1B | 124 BPM | ||
IV. Wachet! Betet! Betet! Wachet! BWV 70, Prima Parte, 1. Coro: Wachet! Betet! Betet! Wachet! | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Frank Wakelkamp, Bas Ramselaar, Johann Sebastian Bach, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Pieter Jan Leusink | F♯ Major | 3 | 2B | 79 BPM | ||
Der Himmel lacht, die Erde jubilieret, BWV 31: No. 2, "Der Himmel lacht, die Erde jubilieret" | Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Armin Mannel, Hartmut Thieme, Harry Haertel, Peter Fischer, Burkhard Schmidt, Heinz Morawietz, Almuth Reuter | C Major | 4 | 8B | 78 BPM | ||
Languet anima mea BWV deest 1006: II. Aria: O vulnera, vita coelestis | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM |
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