Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach's 'Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie' came out on December 22, 2006. Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 12 out of 13 in Bach Edition Vol. 3, Keyboard Works Vol. I Part: 10 by Pieter-Jan Belder. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie by Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 6 in A Minor for Violin, RV 356: 2. Largo | Antonio Vivaldi, Catherine Mackintosh, Christopher Hogwood, Academy of Ancient Music | D♭ Minor | 0 | 12A | 72 BPM | ||
Concerto For 3 Harpsichords, Strings, And Continuo No.2 In C, BWV 1064: 2. Adagio | Johann Sebastian Bach, Kenneth Gilbert, Lars Ulrik Mortensen, The English Concert, Trevor Pinnock | A♭ Minor | 1 | 1A | 72 BPM | ||
Sonata No. 12 in D Major, Op. 1: II. Largo e puntato | Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, Mike Fentross, Pieter-Jan Belder | A Minor | 2 | 8A | 178 BPM | ||
Pieces de clavecin: Suite in A Minor - major: IV. Courante | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Suite No. 12 in C Major, FbWV 612: III. Sarabande | Johann Jakob Froberger, Władysław Kłosiewicz | B Major | 2 | 1B | 80 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, Prima Parte, (1) Coro: Freue Dich, Erlöste Schar | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Oeds Van Middelkoop, Susanne Grutzmacher, Johann Sebastian Bach, Sytse Buwalda, Doretthe Janssens, Ruth Holton, Nico Van Der Meel, Pieter Jan Leusink | D♭ Major | 2 | 3B | 85 BPM | ||
Suite No. 1 in G Major, Z. 660: II. Almand | Henry Purcell, Richard Egarr | F Major | 2 | 7B | 69 BPM | ||
English Suite No. 6 in D Minor, BWV 811: I. Prelude | Johann Sebastian Bach, Benjamin Alard | D Minor | 2 | 7A | 110 BPM | ||
Sonata for 2 Violins in B Minor, Op. 12 No. 1: III. Allegro assai | Jean-Marie Leclair, Florian Deuter, Monica Waisman | B♭ Minor | 1 | 3A | 103 BPM |
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