Johann Sebastian Bach, Benjamin Alard's 'English Suite No. 6 in D Minor, BWV 811: I. Prelude' came out on May 3, 2024. Since English Suite No. 6 in D Minor, BWV 811: I. Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Benjamin Alard's "Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 9 "Köthen, 1717-1723 - The Happy Years"" album is number 3 out of 29. On top of that, France appears to be the country where this track was created. In terms of popularity, English Suite No. 6 in D Minor, BWV 811: I. Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of English Suite No. 6 in D Minor, BWV 811: I. Prelude by Johann Sebastian Bach, Benjamin Alard to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude & Fugue in C Major, K. 394: II. Fugue | Wolfgang Amadeus Mozart, Roberto Prosseda | D Major | 0 | 10B | 78 BPM | ||
Suite in A Major, BWV 1025: II. Courante | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Ouverture in G Minor: V. Fantaisie | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Minor | 2 | 4A | 103 BPM | ||
Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) | François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel | E♭ Major | 4 | 5B | 125 BPM | ||
Sonata Op. 2 No. 2 in G Minor, HWV 387: II. Allegro | George Frideric Handel, Al Ayre Español, Eduardo López Banzo | G Minor | 0 | 6A | 133 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: IV. Allegro | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Mischievous Young Princess Lost in the Forest | Valeriy Blagovidov | D♭ Major | 0 | 3B | 100 BPM | ||
Suite in G Minor, BWV 822: Overture in G Minor, BWV 822: VII. Menuet III (arr. for piano) | Anonymous, Johann Sebastian Bach, Jenő Jandó | G Major | 1 | 9B | 137 BPM |
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