Henry Purcell, Richard Egarr made "Suite No. 1 in G Major, Z. 660: II. Almand" available on September 9, 2008. With Suite No. 1 in G Major, Z. 660: II. Almand being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Purcell: Keyboard Suites & Grounds". In this album, this song's track order is #2. Suite No. 1 in G Major, Z. 660: II. Almand is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Suite No. 1 in G Major, Z. 660: II. Almand by Henry Purcell, Richard Egarr having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 12 in C Major, FbWV 612: III. Sarabande | Johann Jakob Froberger, Władysław Kłosiewicz | B Major | 2 | 1B | 80 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Dialogue | Louis Couperin, London Baroque | B Major | 2 | 1B | 101 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: II. Allegro | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | A♭ Minor | 1 | 1A | 157 BPM | ||
Les plaisirs: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 73 BPM | ||
Suite No. 2 in G Minor, Z. 661: IV. Sarabande | Henry Purcell, Richard Egarr | F Minor | 1 | 4A | 81 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: IV. Andante Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: IV. Alla breve - Adagio | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
D'Anglebert: Suite No. 3 en ré mineur: I. Prélude | Jean-Henri d'Anglebert, Jean Rondeau | D♭ Major | 1 | 3B | 83 BPM |
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