"Concerto in G major Seibel 217: 3. Grave" by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1993. With Concerto in G major Seibel 217: 3. Grave being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel's "Heinichen: Dresden Concerti" album is number 16 out of 50. Based on our statistics, Concerto in G major Seibel 217: 3. Grave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto in G major Seibel 217: 3. Grave by Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata à la Marésienne: IV. Sarabande | Marin Marais, Musica Antiqua Köln, Reinhard Goebel | B Major | 1 | 1B | 80 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Sonata in A minor: 1. Adagio - 2. Allegro - 3. Largo/Presto/Adagio/Allegro | Johann Adam Reincken, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 117 BPM | ||
Concerto in G major Seibel 214 - Darmstadt 1715: 3. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 119 BPM | ||
Sonata à la Marésienne: VII. Gigue | Marin Marais, Musica Antiqua Köln, Reinhard Goebel | B Major | 1 | 1B | 80 BPM | ||
Xerxes Ballet: Air pour les esclaves dansants | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 0 | 3B | 79 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in F major, Op. 6, No. 2: 2. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | D♭ Minor | 2 | 12A | 93 BPM | ||
Concerto in G major Seibel 214 - Darmstadt 1715: 2. Largo | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 0 | 2A | 140 BPM | ||
Concerto Grosso, Op. 6, No. 11 in A Major (HWV 329): Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | A♭ Major | 2 | 4B | 129 BPM | ||
Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM |
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