- BPM
- 88
- Key
- A Major
- Camelot
- 11B
Weinen, Klagen, Sorgen, Zagen, BWV 12: Was Gott tut (Chorus) - Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper Information
- Acousticness
- 92%
- Danceability
- 27%
- Energy
- 28%
- Instrumentalness
- 66%
- Liveness
- 34%
- Loudness
- 76%
- Speechiness
- 3%
- Valence
- 55%
- Popularity
- 11%
- Loudness
- -14.584 dB
Summary
Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper made "Weinen, Klagen, Sorgen, Zagen, BWV 12: Was Gott tut (Chorus)" available on January 1, 2013. With Weinen, Klagen, Sorgen, Zagen, BWV 12: Was Gott tut (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 17 in Bach: Cantatas, BWV 12 & 147 by Johann Sebastian Bach, Arcis-Vocalisten Munich, Thomas Gropper. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Weinen, Klagen, Sorgen, Zagen, BWV 12: Was Gott tut (Chorus) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Weinen, Klagen, Sorgen, Zagen, BWV 12: Was Gott tut (Chorus) BPM
The tempo marking of Weinen, Klagen, Sorgen, Zagen, BWV 12: Was Gott tut (Chorus) by Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Weinen, Klagen, Sorgen, Zagen, BWV 12: Was Gott tut (Chorus) Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): III. Andante | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | B Minor | 0 | 10A | 180 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 5. Coro (Versus IV): Es War Ein Wunderlicher Krieg | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | Bach, JS: Mass in B Minor, BWV 232: Cum Sancto Spiritu | Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien | B♭ Minor | 1 | 3A | 81 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | |
 | Concerto For 2 Keyboards in C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | |
 | I. Ich Hab In Gottes Herz Und Sinn BWV 92, Aria (Tenore): Seht, Seht! Wie Reißt, Wie Bricht | Pieter Jan Leusink, Peter Frankenberg, D'amore, Frank Wakelkamp, Bas Ramselaar, Ruth Holton, Knut Schoch, Sytse Buwalda, Johann Sebastian Bach, Ofer Frenkel, Holland Boys Choir; Netherlands Bach Collegium | A Major | 2 | 11B | 172 BPM | |
 | Matthäuspassion, BWV 244: Duet: So ist mein Jesus nun gefangen (Soprano, Alto, Chorus I and II) | Johann Sebastian Bach, Marianne Beate Kielland, Claudia Couwenbergh, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | |
 | Messe en si mineur, BWV 232: 2. Christe eleison | Johann Sebastian Bach, Yumiko Tanimura, Valérie Bonnard, Ensemble Instrumental de Lausanne, Michel Corboz | A♭ Major | 3 | 4B | 113 BPM | |
 | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | |
 | Herz und Mund und Tat und Leben, BWV 147: Recitative: Gebenedeiter Mund! (Tenor) | Johann Sebastian Bach, Ingrid Kertesi, Jozsef Mukk, Judit Nemeth, Istvan Gati, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Matyas Antal | C Major | 4 | 8B | 88 BPM |
- ISRC
- DEU921242507
- Label
- L-M Records/RCA Records
Section: 0.7329273223876953
End: 0.7389562129974365