Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, The Monteverdi Choir, Monteverdi Orchestra made "Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away"" available on January 1, 1990. With Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away" being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Purcell : Music for Queen Mary (Apex)". In this album, this song's track order is #4. Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away" is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 4, Chorus. "Come Ye Sons of Art Away" by Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, The Monteverdi Choir, Monteverdi Orchestra having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come, Ye Sons of Art Away, Z. 323: 3. Sound The Trumpet, Sound | Henry Purcell, Michael Chance, Timothy Wilson, Trevor Pinnock, The English Concert | D♭ Major | 2 | 3B | 85 BPM | ||
Rameau: Les Indes Galantes: "Viens, Hymen" (Phani) | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs | F♯ Major | 0 | 2B | 86 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 4: Récitatif, "Qu'entends-je? Qu'a-t-il dit?" (Orphée) | Christoph Willibald Gluck, Anne Sofie von Otter, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 114 BPM | ||
The Fairy Queen / Act 5: The Plaint | Henry Purcell, Jennifer Smith, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Fly, Bold Rebellion, Z. 324: Be Welcome then, Great Sir | Henry Purcell, Paul O'Dette, Drew Minter, Mary Springfels, Mitzi Meyerson | D♭ Major | 1 | 3B | 145 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm (Allegro) | Ludwig van Beethoven, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 76 BPM | ||
Mass in B Minor, BWV 232: Et in unum Dominum (Soprano, Alto) | Johann Sebastian Bach, Hannah Morrison, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 78 BPM | ||
Monteverdi: Madrigals, Book 8: Vago augelletto che cantado vai, SV 156 | Claudio Monteverdi, Christina Pluhar, Zsuzsanna Toth, Lauren Armishaw, Philippe Jaroussky, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, Joao Fernandes | B Minor | 1 | 10A | 78 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM |
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