On January 1, 1982, the song "The Fairy Queen / Act 5: The Plaint" was released by Henry Purcell, Jennifer Smith, English Baroque Soloists, John Eliot Gardiner. Since The Fairy Queen / Act 5: The Plaint is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 61 in the song's album "Purcell: The Fairy Queen". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Fairy Queen / Act 5: The Plaint's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Fairy Queen / Act 5: The Plaint by Henry Purcell, Jennifer Smith, English Baroque Soloists, John Eliot Gardiner having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus] | William Christie | B♭ Major | 1 | 6B | 137 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: II. Coro "Wie sich ein Vat’r erbarmet" - Aria "Gott nimm dich ferner unser an" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij | A Major | 2 | 11B | 81 BPM | ||
Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide) | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | D Minor | 2 | 7A | 141 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VIII. Borree | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 82 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Hornpipe | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 0 | 12A | 83 BPM | ||
Jesu, meine Freude, BWV 227: X. So nun der Geist | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | E♭ Minor | 2 | 2A | 93 BPM | ||
L'incoronazione di Poppea / Act 1: E pur'io torno qui, qual linea al centro (Ottone) | Claudio Monteverdi, Michael Chance, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 171 BPM | ||
Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VI. Domine Deus | Antonio Vivaldi, Nancy Argenta, David Reichenberg, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 132 BPM | ||
Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM |
Section: 0.6542046070098877
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