"L'incoronazione di Poppea / Act 1: E pur'io torno qui, qual linea al centro (Ottone)" by Claudio Monteverdi, Michael Chance, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1996. Since L'incoronazione di Poppea / Act 1: E pur'io torno qui, qual linea al centro (Ottone) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: L'incoronazione di Poppea (Complete)" album is number 2 out of 41. The popularity of L'incoronazione di Poppea / Act 1: E pur'io torno qui, qual linea al centro (Ottone) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'incoronazione di Poppea / Act 1: E pur'io torno qui, qual linea al centro (Ottone) by Claudio Monteverdi, Michael Chance, English Baroque Soloists, John Eliot Gardiner to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Serenata con violini (Sinfonia), Op. 8 | Barbara Strozzi, Ensemble Poïésis | A♭ Minor | 0 | 1A | 97 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Laudate dominum omnes gentes, SV 197a | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Jennifer van der Hart, Wendy Roobol, Falco van Loon, Elise van der Wel, Ivan Iliev, Cassandra Luckhardt, Mike Fentross | F Major | 2 | 7B | 77 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
Musicalische Exequien, SWV 279: Concert in Form einer teutschen Begräbnis-Missa: Nacket bin ich | Heinrich Schütz, Vox Luminis, Lionel Meunier | E Minor | 0 | 9A | 115 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM |
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