"Gloria: Qui tollis peccata mundi" by Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on August 31, 2001. With Gloria: Qui tollis peccata mundi being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi: Gloria / Handel: Dixit Dominus by The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. The song's track number on the album is #8 out of 27 tracks. In terms of popularity, Gloria: Qui tollis peccata mundi is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gloria: Qui tollis peccata mundi by Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gloria: Qui tollis peccata mundi being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Caelo Stele Clare Fulgescant: Alleluia | Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 3 | 4B | 0 BPM | ||
Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | D Major | 1 | 10B | 65 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ruht wohl, ihr heiligen Gebeine (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 132 BPM | ||
Tito Manlio, RV 738 / Act 3: Sonno, se pur sei sonno | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | C Minor | 0 | 5A | 57 BPM | ||
King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
Christus factus est | Anton Bruckner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 139 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: III. Et misericordia | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Minor | 2 | 9A | 100 BPM |
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