George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'Dixit Dominus, HWV 232: Tu es sacerdos in aeternum' came out on November 25, 2022. With Dixit Dominus, HWV 232: Tu es sacerdos in aeternum being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Sir Neville Marriner's "Handel - Messiah and other works" album is number 86 out of 105. On top of that, United Kingdom appears to be the country where this track was created. Dixit Dominus, HWV 232: Tu es sacerdos in aeternum is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dixit Dominus, HWV 232: Tu es sacerdos in aeternum by George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Kyrie | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Major | 3 | 3B | 163 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 129 BPM | ||
Mass in C Major, K. 317 "Coronation": V. Benedictus | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert Choir, The English Concert, Trevor Pinnock | D Major | 1 | 10B | 94 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: VI. Jerusalem | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Coro: Vieni ai regni del riposo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | A Minor | 1 | 8A | 88 BPM | ||
Scipione, HWV 20, Act II, Scene VIII: Aria-Allegro "Scoglio d'immota fronte" (Berenice) | George Frideric Handel, Sandrine Piau, Les Talens Lyriques, Christophe Rousset | D♭ Major | 2 | 3B | 142 BPM | ||
Concert: "Saul, Saul, was verfolgst du mich?" (SWV 415) | Heinrich Schütz, Ruth Holton, Carol Hall, Michael Chance, Frieder Lang, Lawrence Wallington, Simon Birchall, His Majestys Sagbutts & Cornetts, English Baroque Soloists, John Eliot Gardiner, Alastair Ross, The Monteverdi Choir | A Minor | 0 | 8A | 100 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM |
Section: 0.7706410884857178
End: 0.7739486694335938