"Bach, JS: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: No. 2, Arioso und Choral. "So du willst, Herr, Sünde zurechen"" by Johann Sebastian Bach, Barbara Schlick/Gérard Lesne/Howard Crook/Peter Kooy/Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent/Philippe Herreweghe, Collegium Vocale Gent, Peter Kooij, Philippe Herreweghe, Orchestra of Collegium Vocale Gent was released on 1992. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 37 in Bach : Cantatas by Johann Sebastian Bach, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: No. 2, Arioso und Choral. "So du willst, Herr, Sünde zurechen" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Aus der Tiefe rufe ich, Herr, zu dir, BWV 131: No. 2, Arioso und Choral. "So du willst, Herr, Sünde zurechen" by Johann Sebastian Bach, Barbara Schlick/Gérard Lesne/Howard Crook/Peter Kooy/Chorus of Collegium Vocale, Ghent/Orchestra of Collegium Vocale, Ghent/Philippe Herreweghe, Collegium Vocale Gent, Peter Kooij, Philippe Herreweghe, Orchestra of Collegium Vocale Gent is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Brandenburg Concerto No. 3 In G Major, BWV 1048: II. Cadenza | Cologne Chamber Orchestra, Johann Sebastian Bach | A Minor | 2 | 8A | 89 BPM | ||
Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) | George Frideric Handel, Michael Chance, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 88 BPM | ||
II. Warum Betrübst Du Dich, Mein Herz? BWV 138, Choral (Coro): Weil Du Mein Gott Und Vater Bist | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Johann Sebastian Bach, Marjon Strijk, Frenkel, Bas Ramselaar, Pieter Jan Leusink | B♭ Minor | 2 | 3A | 144 BPM | ||
Mass in B Minor, BWV 232: Gloria. Cum Sancto Spiritu (Chorus) | Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 5 | 4B | 102 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
I. Gott Ist Mein König BWV 71, 1. Coro: Gott Ist Mein König | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Anneke Boeke, Will Wroth, Hendrik Jan Houtsma, Sytse Buwalda, Peter Frankenberg, Bas Ramselaar, Knut Schoch, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Frank Aarnink, Susan Williams, Pieter Jan Leusink | D♭ Major | 1 | 3B | 92 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 65 "Mache dich, mein Herze, rein" | Johann Sebastian Bach, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 3 | 12A | 82 BPM | ||
III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 89 BPM | ||
Der Himmel lacht, die Erde jubilieret, BWV 31: Aria: Adam muss in uns verwesen (Tenor) | Johann Sebastian Bach, Monika Frimmer, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | D Major | 1 | 10B | 108 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM |
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