- BPM
- 88
- Key
- F♯ Minor
- Camelot
- 11A
Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) - George Frideric Handel, Michael Chance, Harry Christophers, The Sixteen Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 15%
- Popularity
- 24%
- Loudness
- -26.773 dB
Summary
"Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites)" by George Frideric Handel, Michael Chance, Harry Christophers, The Sixteen was released on October 22, 1995. Since Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 40 in Esther (1718 version) by George Frideric Handel, The Sixteen, Harry Christophers. Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) BPM
The tempo marking of Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) by George Frideric Handel, Michael Chance, Harry Christophers, The Sixteen is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Esther, HWV 50a: O Jordan, Jordan, Sacred Tide (Aria - Priest of the Israelites) Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass in B Minor, BWV 232: Sanctus & Benedictus - Sanctus (Chorus) | Johann Sebastian Bach, The Sixteen, Harry Christophers | D♭ Major | 3 | 3B | 80 BPM | |
 | Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | |
 | Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | |
 | Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | |
 | Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | |
 | Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | |
 | Dido and Aeneas / Act 3: "Your counsel all is urged in vain...But death, alas" | Henry Purcell, Jessye Norman, Marie McLaughlin, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 86 BPM | |
 | Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | |
 | Wachet auf, ruft uns die Stimme, Cantata BWV 140: III. "Wann kommst du, mein Heil?" | Johann Sebastian Bach, Edith Mathis, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | C Minor | 2 | 5A | 76 BPM | |
 | Mass In B Minor, BWV 232 / Agnus Dei: Dona nobis pacem | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | D Major | 2 | 10B | 117 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8085076808929443
End: 0.8117079734802246