Johann Sebastian Bach, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner made "Matthäus-Passion, BWV 244 / Zweiter Teil: No. 65 "Mache dich, mein Herze, rein"" available on January 1, 1989. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 65 "Mache dich, mein Herze, rein" is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The song is number 13 out of 68 in Bach, J.S.: St. Matthew Passion, BWV 244 by Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Matthäus-Passion, BWV 244 / Zweiter Teil: No. 65 "Mache dich, mein Herze, rein" is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Matthäus-Passion, BWV 244 / Zweiter Teil: No. 65 "Mache dich, mein Herze, rein" by Johann Sebastian Bach, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244 / Pt. 2: No. 58, Und da sie an die Stätte kamen | Johann Sebastian Bach, Tilman Lichdi, Barockorchester Stuttgart, Kammerchor Stuttgart, Frieder Bernius | D♭ Major | 1 | 3B | 98 BPM | ||
III. Was Frag Ich Nach Der Welt BWV 94, (7) Aria (Soprano): Es Halt' Es Mit Der Blinden Welt | Pieter Jan Leusink, Johann Sebastian Bach, Nico Van Der Meel, Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Bas Ramselaar, Marjon Strijk | F Minor | 0 | 4A | 106 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Largo | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | C Major | 3 | 8B | 103 BPM | ||
Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 3 | 10A | 81 BPM | ||
VI. Wie bin ich doch so herzlich froh (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | E Major | 2 | 12B | 167 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 28, Rezitativ. "Und siehe, einer aus denen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien | A♭ Major | 0 | 4B | 112 BPM | ||
Purcell: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 7, Aria. "Bid the Virtues" | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Felicity Lott, Monteverdi Orchestra | A Minor | 1 | 8A | 87 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Minuet | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 1 | 12B | 176 BPM | ||
Concerto No. 1 In F Major BWV1046 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 0 | 12A | 101 BPM |
Section: 0.9955196380615234
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