Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato - George Frideric Handel, John Eliot Gardiner, English Baroque Soloists Information

Acousticness: 91%
Danceability: 16%
Energy: 2%
Instrumentalness: 51%
Liveness: 9%
Loudness: 54%
Speechiness: 4%
Valence: 4%
Popularity: 3%
Loudness: -27.62 dB

Summary

"Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato" by George Frideric Handel, John Eliot Gardiner, English Baroque Soloists was released on October 1, 1990. The duration of Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra, English Baroque Soloists's "Handel : Water Music, Concerti grossi, Israel in Egypt, The Ways of Zion Do Mourn & Semele" album is number 3 out of 142. In terms of popularity, Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato BPM

We consider the tempo marking of Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato by George Frideric Handel, John Eliot Gardiner, English Baroque Soloists to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Handel: Water Music Suite No. 1, HWV 348: Adagio e staccato Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928	Janos Sebestyen, Johann Sebastian Bach	F Major	2	7B	140 BPM
Sonata in D Minor, K. 32	Domenico Scarlatti, Lucas Debargue	D Minor	0	7A	130 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930	Janos Sebestyen, Johann Sebastian Bach	G Minor	2	6A	129 BPM
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro	Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong	G Major	2	9B	143 BPM
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872	Daniel Barenboim	D♭ Major	0	3B	133 BPM
Concerto Grosso in F Major, Op. 1, No. 1: IV. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	B♭ Major	0	6B	0 BPM
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro	Jean-Marie Leclair, Fabio Biondi, Europa Galante	D♭ Minor	2	12A	173 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino	Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig	E Minor	0	9A	87 BPM
Oboe Concerto in G Minor, Op. 9, No. 8: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	G Minor	3	6A	108 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8090522289276123

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