"Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte)" by Michel Plasson, Tatiana Troyanos, London Philharmonic Orchestra was released on 2004. Since Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Opera Classics, so we believe that "Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte)" is a single. Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Werther (1997 Digital Remaster), TROISIEME ACTE/ACT THREE/DRITTER AKT: Ces lettres ! Ces lettres ! (Charlotte) by Michel Plasson, Tatiana Troyanos, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliette, Act V: C'est la!...Salut! tombeau | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | B♭ Minor | 1 | 3A | 97 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Tosca / Act 3: "Come è lunga l'attesta!" | Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 71 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Ravel: Valses nobles et sentimentales, M. 61: No. 2, Assez lent, avec une expression intense | Maurice Ravel, Michel Plasson, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 74 BPM | ||
Romeo and Juliette, Act IV: La Fiancee et les Fleurs | Charles Gounod, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM |
Section: 0.8781659603118896
End: 0.8827791213989258