Tafelmusik Baroque Orchestra made "Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre" available on March 21, 2006. With Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 33 out of 96 in Baroque Adventure: The Quest For Arundo Donax (Aventure Baroque: La Quete De L'Arundo Donax) by Tafelmusik Baroque Orchestra. Based on our statistics, Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre by Tafelmusik Baroque Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Instrumental Music from King Arthur, Z. 628: 3. Aire | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | D♭ Minor | 0 | 12A | 126 BPM | ||
Cello Concerto No.1 in A major, L. 20: I. Andantino grazioso | Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma | D♭ Minor | 2 | 12A | 134 BPM | ||
Jean-Joseph Mouret: "Entrée" Extrait De La Premiere Suite D'orchestre | Tafelmusik Baroque Orchestra | D♭ Major | 3 | 3B | 151 BPM | ||
Harmonia artificioso - ariosa: Partia I in D Minor, Sonata - Adagio - Presto - Adagio | Heinrich Ignaz Franz von Biber, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 118 BPM | ||
Susanna HWV 66, Act I: Unmarked | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
A battaglia, pensieri: Sinfonia | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | C Major | 2 | 8B | 146 BPM | ||
Concerto in G major Seibel 217: 3. Grave | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 126 BPM | ||
Pyrrhus, Acte III Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Concerto for Harpsichord, Strings and Basso continuo in D Major, F. 41: I. Allegro | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Charlotte Nediger, Jeanne Lamon | D♭ Major | 1 | 3B | 93 BPM | ||
Sonata in E Minor, TWV 50:4: IV. Tendrement | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | D♭ Minor | 1 | 12A | 124 BPM |
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