George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross made "Susanna HWV 66, Act I: Unmarked" available on April 5, 2024. The duration of Susanna HWV 66, Act I: Unmarked is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Susanna HWV 66, Act I: Unmarked's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Oratorio Arias". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. The popularity of Susanna HWV 66, Act I: Unmarked is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Susanna HWV 66, Act I: Unmarked by George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross having a BPM of 181 with a half-time of 90 BPM and a double-time of 362 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Trumpet Sonata in D Major: VI. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 0 | 1B | 71 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Symphony in D Major, H. 651, Wq. 176: III. Presto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: I. Prélude, Lentement | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata No.6 in D Major, Op. 50: IV. Allegro | Joseph Bodin de Boismortier, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Symphonies pour les soupers du roy / Quatrième Suitte: Fanfare - Air en écho | Michel Richard Delalande, Orchestre de Chambre Paul Kuentz, Paul Kuentz | A Major | 4 | 11B | 159 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Ouvertures and Trio Sonatas, Op. 13, Sonata No. 2 in B Minor: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | F♯ Major | 1 | 2B | 98 BPM |
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