"3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda" by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau was released on January 26, 2024. The duration of 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda is about 3 minutes long, at 3:18. Based on our data, "3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 27 out of 29 in Corelli & Quentin: Flute Sonatas by Anna Besson, Myriam Rignol, Jean Rondeau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: VI. Gavotta "La Dedale" | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM | ||
Sonata No. 9 in F Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | F Minor | 4 | 4A | 141 BPM | ||
Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): II. Adagio e con affetto | Giuseppe Torelli, Kammerorchester Basel, Julia Schröder | E♭ Major | 4 | 5B | 129 BPM | ||
Sonates en trio et a quatre parties pour violons, (ou) flutes traversieres, viole et basse continue, Op. 10, Sonata No. 5: I. Adagio | Jean-Baptiste Quentin, Nevermind | B Minor | 1 | 10A | 77 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air lent | Jean-Joseph Cassanéa De Mondonville, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | F Minor | 4 | 4A | 141 BPM | ||
Suite in D Major, Op. 2, No. 1: I. Prelude | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Major | 1 | 8B | 84 BPM | ||
Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM |
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