On September 22, 2023, the song "Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): II. Adagio e con affetto" was released by Giuseppe Torelli, Kammerorchester Basel, Julia Schröder. With Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): II. Adagio e con affetto being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 24 in Colonna, Perti, Pollarolo, Torelli: Cantatas & Concertos by Núria Rial, Kammerorchester Basel, Julia Schröder. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): II. Adagio e con affetto's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto grosso in D Minor, op. 8, No. 7 (Ed. G. Sechi): II. Adagio e con affetto by Giuseppe Torelli, Kammerorchester Basel, Julia Schröder is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 62 in D Major, Hob. I:62: II. Allegretto | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 3 | 9B | 78 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 1 | 11A | 88 BPM | ||
Violin Sonata No. 1 in D Minor: III. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | F♯ Minor | 0 | 11A | 134 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: IV. Rondeau | Marin Marais, Ensemble Amalia | F♯ Major | 0 | 2B | 141 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Golovinmusiken, BeRI 1: No. 8, Presto | Johan Helmich Roman, Höör Barock, Dan Laurin | A♭ Major | 2 | 4B | 143 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM |
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