"Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue" by Marin Marais, Ensemble Amalia was released on September 15, 2023. With Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Ensemble Amalia's "Marais: Trois suites en trio" album is number 25 out of 32. On top of that, France appears to be the country where this track was created. Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue by Marin Marais, Ensemble Amalia to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
sopra Canaryo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 1 | 9B | 79 BPM | ||
Alcione, Acte I Scène 3: "On approche : cessez, et qu’un profond silence" | Marin Marais, Jordi Savall, Cyril Auvity, Marc Mauillon, Le Concert Des Nations | G Minor | 1 | 6A | 32 BPM |
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